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"What's tailin's?",

As before, nobody moved.,

Paul started, and answered: "She took me to the locker that's under the window, and, lifting the lid, pointed down into the inside, and began to laugh with a strange, crying noise, like a cat quarrelling, and then says she, 'Do you see it?' There was nothing in the locker, saving that in one end of it she'd made a sort of bird's nest out of the bed feathers which I 'adn't swept away, and in it was her rings, a piece of soap, a salt-cellar which I hadn't missed from the tray, and what I took for a ball, but which, I allow, was her gloves rolled up tight. 'Do you see it?' she said, looking so cunning and a-whispering so mysterious, it was more like dreaming than living to see and watch her. 'That's my secret!' and then she slams the lid of the locker to, with a noise which I thought your[Pg 314] honour would believe was a pistol-shot, and says, frownin' and starin' at me with eyes that seemed to be in a blaze, 'If you says a word about what you've seen I'll kill you.'",

"By Gosh, you've hit it right on the head. That's what eddication does fer a man—makes him sharp as a razor. Yes, they're brothers an' so much alike all I've got to do is describe one of 'em an' you have 'em all."

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"I don't believe myself," said Miss Acton, "that trousers ever will come in. Men whose calves are of a good shape and who have long been in the habit of admiring and cherishing them, will be very reluctant to conceal them in those ridiculous unmanly garments called trousers.",

"Likely story that about his pilin' on you from behind," scoffed Billy. "You met him on the path an' tried to get gay with him, more like, an' he pasted you a few. You shouldn't hunt trouble, Anse; you can't fight, an' you know it. What's this new boy like?" he asked curiously.,

Sir William Lawrence was very grave, his looks were stern, almost fierce, as he entered the boat. Captain Acton was cool and thoughtful. His brow was knitted; his lips were set. His demeanour was that of a self-possessed man confronted by a condition of things rendered complex by features extraneous to the main trouble or difficulty, yet confounding it by their existence. Lucy watched the scene from the after-part of the Aurora's quarterdeck. She stood alone in that part of the ship leaning upon the rail, and once or twice her gaze followed the boat that was bearing her father and the Admiral to the Minorca; but it was chiefly directed at the[Pg 434] barque whose length she explored for a sight of the tall figure whom she had immediately recognised as Mr Lawrence, whilst Sir William was surveying his son through his glass. She mused upon the amazing passage of her life that had filled the interval between the time of her going on board yonder ship, believing her father to be lying dangerously injured in her, down to the hour of her transference to the Whitby brig. Never was her pensive beauty more fascinating than now, whilst her soft dark eyes brooded upon the ship that had been her floating prison. What would Mr Lawrence say or think when he came to understand that her madness was feigned, a dramatic stratagem to obtain liberty and restoration? How would he—but how could he—face his father whom he had degraded, and her father whom he had robbed and wronged?,

"Why, sartinly, your honour," answered the man, looking at the Admiral.